Waterford’s Royal Showband
were without doubt the leaders of the showband phenomenon in Ireland
during the 1960s. They drew the biggest crowds, commanded the highest
appearance fees, released the first showband record, had the first
showband chart-topper and boasted Ireland’s biggest star, Brendan
Bowyer.
The story of The Royal
Showband goes back to the mid-‘50s, when Harry Boland invited a few
local lads to join him and play some gigs at the Fisherman’s Hall in
Dunmore East. Michael Coppinger (tenor sax), Charlie Matthews (drums),
Jim Conlon (guitar) and pianist Gerry Cullen were first to join and
before long they were joined by Tom Dunphy on double-bass. The other
members were Jimmy and Johnny Fardy.
At this time, Brendan Bowyer
was learning trombone and was playing with The Rhythm Kings. Though
coming from a household with a background in opera and classical music,
the tall young man had recently discovered the music of Elvis Presley
and was keen to share it with the world!
LISTEN TO THE ROYAL SHOWBAND >>>
In the autumn of 1957, Harry
Boland’s Band was about to break up, so Michael Coppinger decided to
enlist a trumpeter, Eddie Sullivan along with Bowyer and form The Royal
Showband with some of the lads in the band. Right from the start, the
new Waterford showband made a huge impact, and crowds were flocking from
far and wide to dance to their infectious music. One of the strengths
of The Royal was that there were never any permanent changes to their
line-up, though Michael Gilligan (formerly of The Blue Aces) did step in
for a time while Jim Conlon completed his studies.
It wasn’t long until fate
was to play an important card when Jim Conlon was visited by a musical
instruments salesman from Cott’s of Kilcock. T.J. Byrne went to
Waterford in the hope of selling a guitar and came away as the manager
of The Royal Showband! Byrne’s contacts and enthusiasm soon began to
pay dividends. Instead of a straight fee, he introduced percentages, and
The Royal were soon taking up to 60% of door-takings. Promoters didn’t
complain as the crowds were so big that they also did well financially.
In 1961, they did a very successful tour of The Mecca Ballroom circuit
in Britain and won the prestigious Carl Allen Award as the “Outstanding
Modern Danceband of 1961”. They finished this tour at Liverpool’s Empire
Theatre where Brendan Bowyer recalls having a friendly chat with two
young lads from the support band. Paul McCartney and John Lennon did
quite well afterwards!
In
1962, their record, “Come Down The Mountain Katie Daly” featuring Tom
Dunphy was the first single release by an Irish showband. In September
1963 they topped the Irish charts with “Kiss Me Quick” featuring Brendan
Bowyer. Another first for The Royal as this was the first-ever
chart-topper from an Irish showband. Six more No.1s followed in the next
four years; “No More” (December 1963), “Bless You” (June 1964), “The
Hucklebuck / I Ran All The Way Home” (January 1965), “If I Didn’t Have A
Dime” (March 1965), “Don’t Lose Your Hucklebuck Shoes” (September 1965)
and “Somewhere My Love” (November 1966). The latter two featured Tom
Dunphy and Charlie Matthews respectively.
It wasn’t all plain sailing
and there were some dramatic incidents along the way. Their bandwagon
was broken into on a number of occasions, resulting in the loss of
instruments and stage-wear, but one blatant attack in London tops them
all. Having played in The Seymour Hall, they had parked their wagon
outside their hotel and were having a well-earned rest when a taxi
pulled up outside, four men jumped out, poured petrol over the wagon,
set fire to it and disappeared into the darkness. Flames engulfed the
vehicle and it was totally destroyed as were all their instruments,
amplification and stage-gear which were inside. The perpetrators were
never found.
During 1962 they filmed a
documentary called “The One-Nighters” and later released an E.P. and and
L.P. including songs from the film. In the late ‘60s, both manager and
band foresaw changes in the domestic dancing scene and looking to the
future, arranged with impresario Bill Fuller that they would do a season
at The Desert Inn and The Stardust in Las Vegas as “The Irish Showband”.
They still continued to appear at home for six months each year.
Their long-time manager T.J.
Byrne parted company with the band in 1967 and took over the reins of a Northern Ireland
band called The College Boys. Connie Lynch became manager of The Royal.
They continued to play both in Las Vegas and in Ireland until 1971, when
Brendan and Tom left to form The Big 8. Replacements were quickly
signed, with Lee Lynch, Barbara Dixon and Derrick Mehaffey at various
times fronting The New Royal. However, the flame seemingly had gone out,
and a once-great band more or less faded away, leaving us all with so
many magical memories.
Tom Dunphy died tragically
in a car crash in 1975, just two days after three members of The Miami
Showband were murdered near Newry. Brendan Bowyer continues to record
and perform and some other members still play music in Waterford.
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Irish Bands Archive - it is not to be copied without permission
Vocals:
Brendan Bowyer, Lee Lynch, Barbara
Dixon, Derrick Mehaffey
Guitar:
Jim Conlon, Michael Gilligan, Fergus Burke
Bass:
Tom Dunphy, Billy Hopkins
Trumpet:
Eddie Sullivan, Mike Healy
Sax/Clarinet:
Michael Coppinger
Trombone:
Brendan Bowyer
Drums:
Charlie Matthews
Organ/Piano:
Gerry Cullen, Arthur
Madden
Manager: T. J. Byrne
Discography
Singles | 45 r.p.m.
His Master's Voice
1962: POP(I)1011 - Come Down The Mountain Katie Daly / I Heard The
Bluebird Sing
1962: POP(I)1070 - Marta / Bless Your Heart My Darling
1963: IP1293 - Kiss Me Quick / Love Thee Dearest
1963: IP1294 - Theme From The One Nighters / Goodbye And God Bless You
1963: POP(I)1238 - No More / Fountain Of Love
1964: IP1295 - Bless You (For Being An Angel) / California Sun
1964: POP(I)1377 - I Ran All The Way Home / Hucklebuck
1965: IP1296 - If I Didn't Have A Dime / What Will My Mary Say
1965: IP1301 - Don't Lose Your Hucklebuck Shoes / Hawaiian Wedding
Song
1965: POP1444 - She Was You Again / Count Me In
1965: POP1481 - The Wonder Of You / Fun Fun Fun
1966: IP1306 - One Way Street / Everything I Touch Turns To Tears
1966: HPOP(I)1505 - I Know What It's Like (To Have Loved) / My Little
Girl
1966: POP(I)1521 - The Fly / Answer Me
1966: IP1304 - I Can't Get You Out Of My Heart / Can I Forget You
1966: IP1305 - Somewhere My Love / Spanish Lace
1967: IP1307 - Time And The River/ Younger Than Springtime
1967: IP1308 - The Rapparee / Whistling Phil McHugh
King
1967: KG1059 - Da Do Run Run / Sitting In The Sun
1967: KG1065 - Look Into My Teardrops / Between The Window and the
Phone
1967: KG1066 - The Holy City / Silent Night
1968: KG1078 - Lady Willpower / Woman Woman
Dolphin
1968: DOS19 - Same Old Song / Come On Let's Go
Pye
1970: 7N.17905 - Both Sides Now / My Way
1970: 7N.45024 - Sweet Caroline / Kentucky Woman
Release
1970: RL.547 - 500 Miles / Doc Brown
1972: RL.655 - Stand By Your Man / Me and Bobby Magee / Four and
Twenty Hours
1974: RL.710 - Visions / All My Love
Columbia
1971: IDB.797 - No One Can Break A Heart Like You / My Child
E.P:
His Master's Voice
1964: The Royal Showband, Waterford - SEGC.30
A: So Deep Is The Night / From the Bottom of My Heart;
B: Dear Waste Basket / C'mon Everybody
L.Ps:
His Master's Voice
1964: HMV 1779 - The One Nighters
1967: HMV 3620 - The Best Of The Royal
King
1968: KGL 4008 - The Stardust Show
Pye Golden Guinea
1970: GSGL 10456 - Ireland Calls
EMI
1976: EMI 1046 - The Royal Showband Story
1962, Locarno Ballroom, Coventry - Admission 6/6
The One Nighters - 1963 | 48
minutes
One of the genuine oddities of the early 1960’s, but one which
grew out of familiar subject matter and gave a fascinating insight
into the ‘new’ Ireland, was The One-Nighters. The film follows the
adventures of the popular Royal Showband on tour, pre-empting
Richard Lester’s 'A Hard Day’s Night' - in its depiction of its
subjects as a group of happy-go-lucky ‘kids’ with hardly defined
semi-comic personae.
- Harvey O’Brien, The Real
Ireland: Evolution of Ireland in Documentary Film
Taken
not long before the formation of the Big 8. From left: Gerry Cullen,
Brendan Bowyer, Michael Coppinger, Jim Conlon, Charlie Matthews, Eddie
Sullivan, Tom Dunphy
Pavilion Theatre, Liverpool 8.00pm, Monday 2 April
1962 (56 years ago) This was The Beatles' only live appearance at the
Pavilion Theatre, which was situated on Lodge Lane in Liverpool.
The group shared a bill with the Royal
Waterford Showband, who flew in from Ireland for the engagement. The
event was promoted by local variety agent Jim Gretty, and was The
Beatles' only live appearance at the theatre, known locally as the "Pivvy".
They were paid £5 for their appearance.
The Pavilion Theatre was better known as a
striptease venue, although The Quarrymen did take part in skiffle
contests there in the late 1950s. It was after one such event that
drummer Colin Hanton left the group.
Band photos, cuttings, posters, adverts,
line-ups, etc. to be added to the online archive are always welcome and
appreciated. If you have anything to contribute, please contact us.